2022
“Oops Tyoeface” Research-Led Project

I was addicted to buying comics for a while, not because of the story of the comics, (I never read comics) but because I love collecting the fonts in the comics. Fonts are often used in comics to help the main characters express their emotions. So I was thinking, what if the font is dominant enough and then pushes other elements of the comic out of space and makes itself the main character? A comic font? Not a font with a comic style, but the font as a comic character itself. Then how would each letter have a different personality?


Art Direction& Typeface Design& Motion Design: Suzy Chan

🏆This work was selected as a Prize Nominee Work at the Tokyo TDC Annual Awards 2024 and was exhibited at the Tokyo TDC Exhibition 2024 at Ginza Graphic Gallery (GGG), Tokyo, in April 2024. It was later presented at X Sign Space, Hangzhou, China, in July 2025.

2022
《漫畫字體》研究型項目

有段時間我沉迷於買漫畫,不是因為漫畫的故事(我從不看漫畫),而是因為我喜歡收集漫畫中的字體。 漫畫中經常使用字體來幫助主角表達他們的情緒。 所以我在想,如果字體足夠占主導地位,然後把漫畫的其他元素推到空間之外,讓自己成為主角呢? 它不是一個具有漫畫風格的字體,而是當漫畫字體作為主角時的樣子。 那麼每個字母是否可以具有不同的個性呢?


藝術指導&字體設計&動態設計: Suzy Chan

🏆此作品獲選為 Tokyo TDC Annual Awards 2024 Prize Nominee Work,並於 2024 年 4 月在東京 Ginza Graphic Gallery(GGG) 舉行的 Tokyo TDC Exhibition 2024 展出;其後於 2025 年 7 月巡展至中國杭州 X Sign Space。

Mark